47 research outputs found

    Perceptual distance in timbre space

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    Presented at the 11th International Conference on Auditory Display (ICAD2005)This paper describes a perceptual space for timbre, defines an ob- jective metric that takes into account perceptual orthogonality, and measures the quality of timbre interpolation applicable to percep- tually valid timbral sonification. We discuss two timbre represen- tations and measure perceptual judgment. We determined that a timbre space based on Mel-frequency cepstral coefficients (MFCC) is a good model for perceptual timbre space

    The Japanese translation of the Gold-MSI: Adaptation and validation of the self-report questionnaire of musical sophistication

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    This study presents a Japanese translation of the Goldsmiths Musical Sophistication Index (Gold-MSI). The index consists of 38 self-report questions and provides a general sophistication score as well as subscale scores for Active Engagement, Perceptual Abilities, Musical Training, Singing Abilities, and Emotions. The validation of the translation with 689 native Japanese speakers indicated excellent internal consistency and test–retest reliability. Confirmatory factor analysis revealed that the bifactor model structure formulated by the original study of Gold-MSI is maintained reasonably in our data. The strengths of the Gold-MSI self-report inventory are (1) it offers a multifaceted view of musical sophistication, (2) a subset of five subscales can be used to measure different aspects of musical sophistication independently, and (3) the ease of administration as it is a self-report questionnaire. In view of the fact that this inventory and its translations increasingly contribute to research on musical expertise, skills, and abilities, having a Japanese translation may enhance future research in these areas even further

    Rage in Conjunction with the Machine

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    ABSTRACT This report presents the design and construct ion of Rage in Conjunction with the Machine, a simple but novel pairing of musical interface and sound sculpture. The authors discuss the design and creation of this instrument , focusing on the unique aspects of it, including the use of physical systems, large gestural input, scale, and the electronic coupling of a physical input to a physical output

    Sonifying ECoG seizure data with overtone mapping: a strategy for creating auditory gestalt from correlated multichannel data

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    Presented at the 18th International Conference on Auditory Display (ICAD2012) on June 18-21, 2012 in Atlanta, Georgia.Reprinted by permission of the International Community for Auditory Display, http://www.icad.org.This paper introduces a mapping method, harmonic mapping, which projects multichannel time-series data onto a harmonic series structure. Because of the common fate effect of gestalt principle, correlated signals are perceived as a unity, while uncorrelated signals are perceived segregated. This method is first examined with sonification of simple, generic datasets. Then, harmonic mapping is applied to sonification of an ECoG data of an epileptic seizure episode. The relationship between the gestalt formation the correlation in the data across channels is discussed in detail using a 16 channels reduced dataset. Finally, sonification of a 56 channel ECoG dataset is provided to demonstrate the advantage of the harmonic mapping.JST-PREST
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